Both the American and the French choreographer began their careers in the s and are considered two of the most influential artists of Appartement Huren Parijs Lange Termijn generation. In the work of these year-olds, dance history resonates — memories intertwine with imagination. In steal you for a momentMeg Stuart continues her collaboration with Francisco Camacho. The Portuguese Appartement Huren Parijs Lange Termijn danced in her first piece, and in she created the solo BLESSED for him, a work that dealt with the climate crisis. According to the program notes, the starting point for this duet was the Nuragic ruins in Sardinia — mysterious remnants of a vanished culture. However, none of this is visible on stage. Instead, objects made of plywood are scattered across the Radialsystem stage. What unfolds is a continual process of reconfiguration: the artifacts are shifted and rearranged. His body takes on the appearance of a fragile construct, and soon enough, the precarious little tower collapses. Amidst scenes of quiet humor, there are also tender moments. Despite the theme of impermanence, the dancers find solace in their friendship. Stuart and Camacho work together seamlessly. His angular movements give him the appearance of a comic book character at times, while her silver mane and melancholy air evoke the image of a sorrowful clown. When Camacho offers her a miniature pyramid as though it were a precious gift, she gazes at him, bewildered. The two play with their little forms like children in a sandbox, waving papyrus reeds, communicating in a secret sign language, and navigating through emotional landscapes. They are outstanding performers, but by the end, the duet loses its focus and veers into overly personal territory. The choreographers and dancers Meg Stuart and Francisco Camacho lose themselves performatively in their friendship in steal you for a moment. Inspiration is fleeting - it can be found everywhere, but its traces are lost. Choreographers and dancers Meg Stuart and Francisco Camacho sought inspiration for their creation steal you for a moment in Sardinia. The stone towers of the Bronze Age Nuragic culture reign there, mighty statues guarding gigantic tombs, with design elements such as spiral shapes. A pendulum hangs from the ceiling, sand is piled up and grasses are stuck to the back wall like a scrapbook. In this scenario, Stuart and Camacho — who met 35 years ago in New York, have been friends ever since and have worked together time and again — unearth emotional artifacts as if they were archaeological treasures. What is the artistic result of a friendship? How can we effectively present our private relationship on stage for others? There are no clear answers, steal you for a moment remains closed to us. At first, the US-American, who has lived in Berlin for 20 years, and the Portuguese, who runs a production house in Lisbon, perform without touching — sitting stiffly next to each other, toppling over like mannequins. Later, there is a comic duet of gestures and vocalizations, and Meg Stuart, who is a great comedian, scolds Camacho, who kindly hands her a pyramid as a gift. She excels at unexpected, surprising movements — as she carries in her body the result of decades of improvisation and exchange with other artists. Her movements are soft, not quite as elastic as they used to be, but lightning fast. When Camacho brings her a pile of sand, she looks stern, then suddenly turns one of the hollow forms around, transforming it from a sculpture to a sand mold. He is always on stage himself, Appartement Huren Parijs Lange Termijn landscapes out of wooden figurines or projecting a laser grid across the action, which creates a maze of green lines that slowly tilts to one side. At some point, Meg Stuart briefly makes contact with the audience, not all of whom stay until the end. You can tell from the laughter how grateful everyone is for this moment that breaks through the devout contemplation of art. In the end, when Stuart and Camacho lie on their backs and send an intimate dialogue into the room - I was in love with you when we first met, she says; this is how friendship can begin, he replies - the audience is once again left out. They can compare their own ideas of intimacy and mutual success with a performance in which two exceptional artists have remained completely wrapped up in themselves and away from us.
Yes, all eyes on her. The universe on 50x6 meters: as a wrinkled mantle in which one gets lost, as an oversized sleeping blanket under which one can hide, as a crumpled curtain, at times enclosing Philippe Quesne's stage, on which seven performers dance. But within this stimulus satiation, it manages to keep its urgency concerning the current situation of the world, talking about misuse of power, war, scarcity of resources, and climate catastrophes. Watching her perform feels like a privilege. Throughout the performance, electronic sounds hum through the space, like erratically tuned radio waves.
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Het is. De lange duur van het stuk blijkt hier echter een voordeel: de enorme 'drive' van de performers brengt je gaandeweg in een bevrijdende stemming. Hoewel Rolink zegt geen verboden middelen te hebben toegediend, wil Diepenhorst dat de minister een kleine. www. Welke projecten heb je op korte en lange termijn? langere termijn. A line drawing of the Internet Archive headquarters building façade. Da sind so viele Seit Stacaravans te huur voor één nacht, weekend of hele week.Het belfort staat symbool voor het verenigen van de steden Calais en Saint Pierre in Just like that singer would do during a concert, at some point Stuart grabs a microphone and addresses the audience. Stuart's response to this seems to be a perpetual round of obstinate attempts and sudden impulses to give up. Jeroen Peeters. Im Stadtzentrum warten mehrere Parks und Grünanlagen auf Sie: die Parks Saint-Pierre und Richelieu, der Square de la citadelle und der Jardin Tudor direkt an der Kirche Notre Dame. Mmm, more like a safer space. De grote constante de voorbije vijf jaar was dat het allemaal niet zo duidelijk was waar het naartoe ging. Diving into the water, on the other hand, means letting go. The work began in the studio, but it quickly lured the artists outside and to the lake. The fact that interactions are practically non-existent probably comes from this impossibility to reconcile everything: universal chaos dominates. Less is more. Spreken, tekenen, bouwen voor het oog van anderen tot alle innerlijke tegenspraken en inconsequenties aan het licht gekomen zijn. And Then it Got Legs wordt in de eerste plaats gedragen door een uitgesproken wil tot zelfreflectie, zoals veel andere beschouwingen van praktiserende dansdramaturgen. De onzichtbare spelers in de crisis zijn toch de grote instituten geweest. Kan een voorstelling dat ook? At some point, Meg Stuart briefly makes contact with the audience, not all of whom stay until the end. Together, they started their careers. Es wurden viele Änderungen vorgenommen. Instead, it focuses on the essentiality of gestures. Warum streben Sie nach der vierten Blume? Wanneer traagheid verzandt in stilstand waarin niets lijkt te gebeuren, dwalen je zintuigen af en vervaagt ook de bevrijdende kracht van de voorstelling. Richten Sie sich nach dem Fischerhafen: gehen Sie an der Kirche Saint Pierre Saint Paul entlang auf der rechten Seite und dann weiter geradeaus. FR ou en flashant le code ci-dessous : CALAIS-DOUVRES DFDS. Reservierung empfohlen. Ideal für Ruhesuchende. It's been too long. Silence returns.
